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Mikhail Chekalin. Symphony # 13.

by Mikhail Chekalin

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Digital reissue of CD-album MIR/Eurock 2014.
Recorded 2008, 2014

Few artists have such an extensive catalog exploring the full stylistic spectrum of music as Chekalin. His solo piano works demonstrate a firm grasp of both jazz and classical technique. Electronically his techno experiments are not simply derivations of BPM automation, his cosmic explorations don't simply meander and whatever the style his music makes provocative use of melody and theme in highly diverse ways. Even more impressive perhaps, he composes, performs, records and mixes the albums himself.

Post-Symphonic music is his forte, several of his compositions having been performed live by orchestras both inside Russia and outside, in Germany. A prime example is his recent release "Symphony #13", a dynamic composition and recording, which illustrates what sets his music apart from more orthodox symphonic music. While the sound does indeed contain rich melodic arrangements and strong thematic developments, at times it veers off-course transforming into a unique hybrid of free-form expressionist sound sculpture that mirrors creatively today's lifestyle that has become precariously out of balance, filled with chaos and disorientation.

Chekalin's combination of orchestra, solo piano and synthesizer on this album intertwines in such a dramatic way that at times you feel overcome by the sound and swept away by the musical flow. This makes for an album that is both entrancing as well as an ennervating listening experience.
A. Patterson

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released April 28, 2020

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Mikhail Chekalin / Михаил Чекалин Moscow, Russia

Mikhail Chekalin is one of those. Arguably he is the most influential modern composer of the last 35 years in the former USSR, now Russia.
Over the span of his career Chekalin has produced some 30+ works that range the sonic spectrum for Post Pop, to free-jazz, electronic, and Post Symphonic. While his music was known to me since the 1980s/

Archie Patterson. Eurock
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